|
Jeffrey Thomas Makin is an Australian artist, art critic, and Director of Port Jackson Press Australia. He is best known for his paintings ''en plein air'' of the European landscape.〔McCulloch 2006, pg. 659.〕 He was born in 1943 in Wagga Wagga, New South Wales, Australia. Makin has a diploma in painting from the National Art School, Sydney and a Master's Degree (Research) from Deakin University Melbourne.〔 == Biography == Makin was born in 1943, in the city of Wagga Wagga, New South Wales, Australia.〔Zimmer 2002, pg. 27.〕 Son to father Frederick Campbell Makin and mother Mary Makin (née Lanyon), his affiliation with art and painting began at an early age. Makin was given a set of pastels from his grandmother and told they had belonged to a family relative, supposedly descended from the renowned English portrait painter, Sir Joshua Reynolds.〔 Encouraged by his father and his art teacher at Cowra High School, Makin began private lessons from Desiderius Orban (who would also tutor Makin's friend and associate John Olsen) and the Julian Ashton School of Art, Sydney in 1961.〔Zimmer 2002, pg. 27–28.〕 From 1962 to 1966, Makin completed a Diploma in Painting at the National Art School in Sydney where he also received an Art Progression Student Scholarship.〔McCulloch 2006, pg. 659; Zimmer 2002, pg. 27.〕 Later in life, Makin would go on to complete a Masters by Research at Deakin University in Geelong, Victoria, compiling his thesis entitled: "Meaning, Significance, and the Sublime in the Depiction of the Australian landscape".〔Fields 2006, pg. 78.〕 After graduating in 1966, Makin held his first exhibition at the Frank Watters Gallery, and began to be awarded numerous art prizes, such as the Rockdale Prize, the Drummoyne Prize and the Mirror-Waratah in Sydney.〔Zimmer 2002, pg. 28.〕 His development as an artist and landscape painter was influenced by various techniques, including traditional landscapes, Modernism, Impressionism and Abstraction. Through the 1970s he travelled across Europe, the US and the UK,〔Zimmer 2002, pg. 28; Field 2002, p. 3.〕 expanding his knowledge of various art forms. As an example, came during a residency at the Gloucestershire College of Art in Cheltenham, UK, in 1978, Makin viewed a Georgio Morandi exhibition that left a lasting impression.〔Field 2006, pg. 8.〕 In particular Makin was impressed by European landscape tradition in works by Salvator Rosa, Paul Cezanne,〔Field 2002, pg. 3.〕 and David Bomberg.〔Beaumont 1988.〕 Upon returning to Australia, Makin revisited several Australian works, notably those of Eugene Von Guerard and Fred Williams.〔 Makin attended various painting excursions with fellow landscape artists and friends, and had painted outdoors with Fred Williams regularly since the early 1970s.〔Lynn 1988.〕 Together, Williams and Makin would find places and landmarks that had been painted by members of the Heidelberg School artists camps including Tom Roberts, and Arthur Streeton of the Australian impressionist movement.〔Zimmer 2002, pgs 9–10〕 The 1982 death of his good friend and mentor Fred Williams had a profound impact on Makin and his future work.〔Zimmer 2002, pg. 10.〕 Not long after, Makin exhibited his first sell-out show, the 'Ash Wednesday' series at Realities Gallery, Melbourne, and his first European show at Bernard Jacobson Gallery in London, in 1983.〔 In 2001, Makin took part in an expedition to Lake Eyre in South Australia, along with nine other artists including: Olsen, Tim Storrier, Robert Jacks, David Larwill and others. The project was funded by the David Deague Family Foundation and resulted in a book, ''William Creek and Beyond'',〔McGregor and Crawford 2002.〕 a film documentary and a touring exhibition.〔Zimmer 2002, pg. 29.〕 Makin's motifs included seascapes, waterfalls and pastoral vistas. Notable locations such as the You Yangs (first introduced to Makin by Williams), the Grampians and Wannon Falls.〔Thomas 2002〕 In 1990, he resigned from his academic post at the Royal Institute of Technology (RMIT) to become a full-time artist. This followed his tenure in an artist in residence program at the University of Edinburgh, Scotland.〔Zimmer 2002, pg. 30.〕 Upon his return to Australia in 1991, Makin lived in a historic property, Glen Harrow, in the Dandenong Ranges, which provided him with a lush garden and surrounding landscape in which he could enhance his technique.〔 He has held numerous professional appointments alongside his painting career including Senior and Principal Lectureships in Fine Art at Melbourne institutions such as RMIT, Phillip Institute of Technology, Prahran College of Advanced Education. In 1996/97 he re-entered academic life as Foundation Director to set up the new National Art School in Sydney. He has also written extensively as Art Critic for the Sun News-Pictorial from 1972 to 1982 and the Herald Sun from 1997 to 2009.〔McCulloch 2006, pg. 659; Makin 2011; Who's Who in Australia.〕 He has contributed to numerous magazines, and has several books to his name, the latest being ''Critical Moments'', published by MacMillan in 2011.〔Makin 2011〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jeffrey Makin」の詳細全文を読む スポンサード リンク
|